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Free online nella galena dei morti felicity jones. Free Online Nella Golena Dei Morti felicitation. She is freaking good. Sometime before the end of the Civil War, when “Father Abraham” had abolished slavery, thousands of African Americans found themselves facing an uncertain future. They were called “freedmen, ” but how would they live? Where would they go? Many moved aimlessly through the ravaged South like nomads, living off the land, searching for direction and community. Their former owners were destitute and powerless to help them, and the very earth seemed hostile. In this desperate time, a number of men appeared who said, “Follow me. ” One such man was a slave named William. According to a nearly forgotten tale, he had once lived on a great plantation in Mississippi; however, he had been blessed by fortune. His father was a white man who had provided his son with advantages. William became a house servant and was taught to read and write. Blessed with a quick mind and a profound intellect, he became a leader at an early age, serving as a preacher and advisor to his people. He eventually married a slave named Luella. When freedom came, William, who had adopted the name of his former owner and father, Montgomery, called his freed brethren together and told them of his plan. According to the story that has been passed down, William had heard of a land to the east. It was located at the foot of a mountain and encircled by a river. It could be reached by a great highway over which ceaseless multitudes passed—droves of cattle, wagons laden with meat and molasses, merchants, drivers and stagecoaches—moving back and forth between the Low Country and the mountains. William Montgomery told his people that their promised land lay in the valleys and coves of those mountains. “There, we can own land, till the soil and raise a family, ” he said. “If we stay together and help each other, we will prosper. Remember, all for one and one for all. ” Approximately 150 freedmen cast their lot with Montgomery and departed Mississippi for a new beginning in the east. The ravaged land through which they passed provided meager sustenance. The ruined fields sometimes yielded chickpeas, potatoes and yams. As they moved across Alabama and into South Carolina, they sometimes caught half-wild mules and horses—animals that would be useful in the promised land. They often passed nights camped near streams and found shelter for themselves and their animals beneath trees or in abandoned barns. Everywhere, they encountered other freedmen and as their little caravan progressed, their numbers grew. In the stories passed down about the “first comers, ” when Montgomery and his followers entered South Carolina and found the fabled road that passed through places named Enoree River, Callahan Mountain and Winding Stair, they began hearing stories that verified the existence of their promised land, a place in the mountains to which the white folks made annual pilgrimages, somewhere up in the high country where tracts of uninhabited land stretched for miles. At the North Carolina line, shortly after they had passed the wreckage of Union breastworks that had once blocked all travel on the road, they came to a place called Oakland, the home of Col. John Davis and his wife “Miss Serepta. ” [Editor’s note: The property was located near the present town of Tuxedo, N. C., in Henderson County. ] Some of the freedmen Montgomery encountered in the area told him that the widowed Miss Serepta and her son Tom owned thousands of acres of farmland, now idle and unplowed. Miss Serepta’s former slaves were gone to seek their fortune elsewhere, and all of Col. Davis’ livestock and possessions had been swept away by marauders and the Union troops. The aging lady and her son Tom, now virtually penniless, were struggling to survive by providing food and lodging for the few random travelers, journeymen who were beginning to appear again on the great road, en route to North Carolina and Tennessee. For William Montgomery and his band, Oakland proved to be their heaven-sent opportunity. Miss Serepta readily agreed to Robert’s offer: shelter and food in exchange for domestic chores. As winter turned to spring, the “first comers” began plowing, planting and repairing Oakland’s old slave quarters. The few animals that had survived the long journey were kept in a dilapidated barn. The mountainside yielded firewood and timber for log houses—each with a chimney constructed from chunks of granite dug from the surrounding hillsides. The Happy Land had begun. There is no way of knowing the original population of “Happy Land, ” but it is likely that their numbers grew after William Montgomery made a pact with Miss Serepta. He and his followers would assist the lady and her son in converting Oakland into a thriving lodging house, a place where travelers and visitors could stay throughout the summer and into the fall. The first comers would tend the gardens, raise the broilers and fryers, milk the cows, churn the butter, and do the laundry. Oakland flourished and eventually, William approached his landlady with a plan by which he could buy tracts of land at one dollar an acre. Miss Serepta agreed. Weary freedmen continued to arrive for years. A group came from Coe Ridge, Kentucky; others came from devastated plantations in Georgia and lower South Carolina. There is evidence that suggests that by 1870, the total population of the Kingdom exceeded 400. According to the descendants of the original settlers, Montgomery developed a “communal settlement” with himself and his wife Luella as King and Queen. Almost a century later, descendants of the original settlers would recall that their parents and grandparents had talked vaguely of William’s desire to recreate an African tribal village, complete with ancient rituals and customs. William and Luella had adjoining cabins, which contained thrones. Further, legend asserts that the “royal cabins” were constructed on the boundary between North Carolina and South Carolina with William’s cabin in North Carolina and Luella’s in South Carolina—a precaution that was designed to save half of the Kingdom should unforeseen events cause the loss of the other. As both Oakland and Montgomery’s Kingdom prospered, William’s followers sought employment as craftsmen and laborers throughout the region. Often working for as little as 10 cents a day, the first comers gave their earnings to William who always accepted the money restating his old admonishment, “All for one and one for all. ” Montgomery deposited the funds in a common treasury. In time King William began dispensing money at his discretion. He established communal gardens, developed a network of storage barns and bought more land. By 1873, the Happy Land Kingdom had become an independent, self-sustaining community. As commerce thrived throughout the region, Happy Land developed a diversity of trades and crafts. Taking advantage of the great road that had brought them to Oakland, the Happy Landers became teamsters, sending wagons loaded with produce to the surrounding towns and cities. Carpenters, weavers and basket-makers thrived, and with the approval of the King and Queen, the skilled craftsmen sometimes sought employment and lodging in nearby places. However, they returned at intervals to the Kingdom with their earnings, committed to the dream of owning their own land, a communal tract where married couples could build a cabin and raise a family. One of the old tales concerns a popular product called “Happy Land Liniment, ” a concoction of herbs and unguents that was provided by the King and Queen to their followers for the treatment of rheumatism and aching muscles. Other potions with curative powers were also available, including a Balm in Gilead that was made from catnip, which purportedly improved appetite and general well-being. In time, the original founders of the Kingdom, including William Montgomery, died. Consequently, many of the details of the Kingdom’s origin and history were lost. One of several conflicting stories notes that William had made careful plans for his succession, and that his brother, Robert, had been prepared to take his place. One of the details that has survived regarding King Montgomery’s death is a fragmented account of a Happy Land ceremony in which the mournful chant, “The King is dead” is replaced by a triumphant “Long live the King, ” as the new ruler took his place in the vacant throne chair. Although information about daily life in the Happy Kingdom is scant, there are a few tantalizing details. After the Kingdom broke up about 1900, former residents moved to nearby towns where they acquired employment as tradesmen and servants. In later years they told stories and anecdotes about their lives in “an earthly Eden. ” They remembered an old granite stepping stone that marked the site of a chapel in which children were trained and weekly religious services were conducted. Oral tradition in the region recalls the “Kingdom Singers, ” organized by Queen Luella, which traveled throughout the settlement and beyond each summer, performing musical programs. Although there are few surviving documents that verify the existence of the Kingdom, a careful search of county records verifies the existence of a few deeds for tracts of land near Oakland. One of the most interesting tales deals with a black, itinerate minister, Rev. Ezel, who appears to have been a self-appointed recruiter for the Kingdom. Preaching in small towns throughout South Carolina, Ezel acquired many faithful followers in the vicinity of Newbury, Union, Cross Anchor and Enoree, where he sometimes assumed the role of a 19th century Moses who led the chosen to the Happy Land. Apparently, Rev. Ezel did not become a resident himself but continued to preach in remote villages. In 1957, an 85-year-old resident of Hendersonville, Ezel Couch, vowed that he was born in 1872 and was named for a traveling minister. Couch stated that his family lived in Union, S. C., and he was brought to the Kingdom by his parents when he was one year old. Why did the Kingdom of the Happy Land vanish? Ironically, its demise was largely due to changes in the great road which had brought them to Oakland and provided them with a market for their wares and produce. With the coming of the railroad, the region discovered a new and more efficient means of transporting commercial produce. Happy Land’s wagons, the life blood of the Kingdom, became obsolete. By 1900, virtually all of the residents had departed, and within a decade the majority of the original structures had fallen. Today, visitors find nothing but a few chimneys and the collapsed gravestones in the cemetery—none of which retained the names of the deceased. In 1910, a portion of the land where the Kingdom had once thrived (now called Stanton Mountain near Greenville, S. C. ) was bought by a local farmer, Joe Bell. In time, he dismantled and removed most of the original homes. In 1985, Joe’s grandson, Ed, and his uncle Frank, agreed to be interviewed about their memories of the Kingdom and made a return trip to the original site with a group of students from Northwest Middle School in Traveler’s Rest, S. C. Standing in the rubble of a cabin, the two men pointed to the location of William and Luella Montgomery’s cabins, the remains of a graveyard, and what may have once been the location of a schoolhouse and a chapel. Nothing remained except a shattered chimney and a wilderness of lush undergrowth. When asked, “What was here in 1900? ” Frank Bell said, “I remember standing on this hill. ” He then pointed to the wilderness before him and said, “As far as I could see down that valley, there were corncribs— hundreds and hundreds of corncribs. ” by Gary Carden September 1, 2009 12:00 AM.
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Buon anno Giorgia. Happy Land fire Investigation of the club on the day after the fire Location West Farms, Bronx, New York City, New York, U. S. Coordinates 40°50′35″N 73°53′09″W / 40. 8431125°N 73. 8859465°W Date March 25, 1990; 29 years ago 3:00 a. m. EDT Target Happy Land social club 1959 Southern Boulevard, Bronx, NY 10460 Attack type Arson, mass murder Deaths 87 Injured 6 Perpetrator Julio González Motive Argument with girlfriend The Happy Land fire was an act of arson that killed 87 people trapped in the unlicensed Happy Land social club at 1959 Southern Boulevard in the West Farms section of the Bronx in New York City on March 25, 1990. Most of the victims were young Hondurans celebrating Carnival, many of them part of the Garifuna American community. Unemployed Cuban refugee Julio González, whose former girlfriend was employed at the club, was arrested soon afterward and ultimately convicted of arson and murder. The fire was the deadliest in New York City since the Triangle Shirtwaist Factory fire, which coincidentally occurred on the same day in 1911, and the deadliest in the United States since the Dupont Plaza Hotel fire in Puerto Rico in 1986.   Background [ edit] Before the blaze, Happy Land was ordered closed for building code violations during November 1988. Violations included lack of fire exits, alarms or sprinkler system. No follow-up by the fire department was documented.  Julio González served three years in prison in Cuba in the 1970s for desertion from the Cuban Army.  In 1980, he faked a criminal record as a drug dealer to help him gain passage in the Mariel boatlift.  The boatlift landed in Florida; he then traveled to Wisconsin and Arkansas and eventually settled in New York, sponsored by the American Council for Nationalities in Manhattan.  Six weeks before the fire, he split up with his girlfriend, Lydia Feliciano. Before that, González had lost his job at a lamp factory in Queens.  At the time of the fire, he was two weeks behind on the rent of his room, and the owner of the boarding house where he was staying said of him: "From what I know, he was down to his last hope. "  Incident [ edit] The evening of the fire, González had argued with his former girlfriend, Feliciano, who was a coat check worker at the club, urging her to quit. She claimed that she had had enough of him and did not want anything to do with him anymore. He was ejected by the bouncer about 3:00 a.   He was heard to scream drunken threats to "shut this place down. "  González went to an Amoco gas station, then returned to the establishment with a plastic container with $1. 00 worth of gasoline.   He spread the fuel at the base of a staircase, the only access into the club, and then ignited the gasoline.  Eighty-seven people died in the resulting fire. Nineteen bodies were found downstairs; the others upstairs. Six bodies were found within several feet of the front door.   Some of those trapped punched a hole through a wall to an adjoining union hall [ clarification needed] in an attempt to escape.  Most of the deaths were from asphyxiation or trampling.  Most of the victims were young Hondurans celebrating Carnival,   largely drawn from members of the local Garifuna American community.   150 firemen responded to the blaze, which was extinguished in just five minutes.  Initial reports indicated that only three persons survived the blaze,  but later reports gave the number of survivors as five  or six.  Among them were Feliciano, the club owner’s wife, and a disc jockey. The disc jockey was hospitalized in guarded condition with second- and third-degree burns over half his body.  Aftermath [ edit] The arsonist [ edit] Julio González Born Julio González October 10, 1954 Holguín, Oriente Province, Cuba  Died September 13, 2016 (aged 61) Plattsburgh, New York, U. Cause of death Heart attack Criminal charge 87 counts of arson 174 counts of murder Penalty 25 years to life After setting the fire, González returned home, removed his gasoline-soaked clothes and fell asleep.  He was arrested the following afternoon after police investigators interviewed Feliciano and learned of the previous night's argument. Once advised of his rights, he admitted to starting the blaze.  González was charged with 174 counts of murder, two for each victim, and was found guilty on 87 counts of arson and 87 counts of murder on August 19, 1991. For each count he received the sentence maximum of 25 years to life. He was eligible for parole during March 2015 as New York law states that the sentences for multiple murders occurring during one act will be served concurrently, rather than consecutively.   González was denied parole in March 2015.  He would have been eligible to apply for parole again in November 2016,  but he died in prison of a heart attack on September 13, 2016, at the age of 61.  The club and premises [ edit] The building that housed Happy Land club was managed partly by Jay Weiss, at the time the husband of actress Kathleen Turner.  The New Yorker quoted Turner saying that "the fire was unfortunate but could have happened at a McDonald's ".  The Bronx District Attorney said that the building's owner, Alex DiLorenzo III, and leaseholders Weiss and Morris Jaffe, were not responsible criminally, since they had tried to close the club and evict the tenant.  During 1987, Weiss and Jaffe's company, Little Peach Realty Inc., had leased the building space for seven years to the club owner, Elias Colon, who died in the fire.   An eviction trial against Colon had been scheduled to start on March 28.  Even if Colon had survived the fire, the eviction trial would have been moot, as the building that housed the Happy Land Social Club was condemned and demolished within 24 hours of the fire.  Although the Bronx District Attorney said they were not responsible criminally, the New York City Corporation Counsel filed misdemeanor charges during February 1991 against DiLorenzo, the building owner, and Weiss, the landlord. These charges claimed that the owner and landlord were responsible for the building code violations caused by their tenant.  They both pleaded guilty during May 1992, agreeing to perform community service and paying $150, 000 towards a community center for Hondurans in the Bronx.   There was also a $5 billion lawsuit filed by the victims and their families against the owner, landlord, city, and some building material manufacturers. That suit was settled during July 1995 for $15. 8 million or $163, 000 per victim. The lesser amount was due mostly to unrelated financial difficulties of the landlord.   Legacy [ edit] The street outside the former Happy Land social club has been renamed "The Plaza of the Eighty-Seven" in memory of the victims.  Five of the victims were students at nearby Theodore Roosevelt High School, which had a memorial service for the victims in April 1990.  A memorial was erected directly across the street from the former establishment with the names of all 87 victims inscribed on it.  The plot of the Law & Order season 2 episode "Heaven" was inspired by the Happy Land fire. Additionally, the band Duran Duran wrote the song "Sin of the City", which appeared on the band's 1993 self-titled album, about the fire.  The song "Happyland" on Joe Jackson 's album Night and Day II, released in 2000, was also inspired by this event.  In the aftermath of a warehouse fire in Oakland, California, in December 2016, which killed 36 people, comparisons were drawn to this fire. The Oakland fire also occurred in a space that was being used for parties in violation of law and lease agreement. Investigations of the law and lease agreements were pending at the time of that fire as well.  See also [ edit] List of accidents and disasters by death toll List of disasters in the United States by death toll List of fires List of building or structure fires List of nightclub fires Blue Bird Café fire, 1972 fire in Montreal also started by ejected patrons lighting gasoline on stairs that served as the only way in or out References [ edit] ^ a b Blumenthal, Ralph (March 26, 1990). "Fire in The Bronx; 87 Die in Blaze at Illegal Club; Police Arrest Ejected Patron; Worst New York Fire Since 1911". New York Times. ^ a b c d e Diebel, Matthew (March 25, 2015). "Happy Land, Triangle Shirtwaist fires happened same day, 79 years apart". USA TODAY. Retrieved December 7, 2016. ^ McKinley, James C. Jr. (March 26, 1990). "Fire in the Bronx; Happy Land Reopened and Flourished After Being Shut as a Hazard". New York Times. ^ a b c d e f g h i j Roberts, Sam (September 14, 2016). "Julio Gonzalez, Arsonist Who Killed 87 at New York Club in '90, Dies at 61". The New York Times. ISSN 0362-4331. Retrieved December 5, 2016. ^ a b c Maykuth, Andrew (March 27, 1990). "N. Y. fire suspect described as 'down to his last hope ' ".. The Philadelphia Inquirer. Retrieved December 5, 2016. ^ Celona, Larry; Marques, Stuart; et al. (March 17, 2015). "Fire kills 87 people at the Happy Land Social Club in the Bronx in 1990". Daily News. Retrieved July 10, 2016. ^ a b c d "Fire kills 87 people at the Happy Land Social Club in 1990". NY Daily News. Retrieved December 5, 2016. ^ Francisco Avila, Jose. "The Garifunas and Happy Land Social Club Fire" (PDF). Garifuna Coalition USA, Inc. Retrieved October 19, 2015. ^ Negron, Edna (August 18, 1991). "Club Tragedy an Awakening for Garifuna". Daily News. ^ TREADWELL, DAVID; GOLDMAN, JOHN J. "Blaze Kills 87 in N. Social Club: Fire: An employee's ex-boyfriend is arrested on arson and murder charges. Nightspot was operating illegally". Los Angeles Times. Retrieved May 25, 2017. ^ Tomasson, Robert E. (July 9, 1991). "Shock Lingers as Happy Land Trial Starts". Retrieved December 5, 2016. ^ Julio González, DIN# 91-A-7544 Archived April 27, 2002, at the Wayback Machine via New York State Inmate Population Information Search ^ Bailey, Maria (March 25, 2016). "A look back at the fatal Happy Land fire 26 years later". New York Daily News. Retrieved July 10, 2016. ^ a b Moore, Tina; Tracy, Thomas (March 18, 2015). "Happy Land mass murderer Julio Gonzalez denied parole". Retrieved July 10, 2016. ^ Annese, John (September 14, 2016). "Arsonist who torched 87 people at Happy Land club dead at 61". New York Daily News. ^ a b c Barbanel, Josh (March 27, 1990). "Fire in The Bronx; Tracing the Club's Owners". New York Times. ^ Logan, Andy (April 23, 1990). "Happy Land". The New Yorker. ^ McFadden, Robert D. (November 16, 1990). "Prosecutor Clears Landlords In Fatal Social Club Arson". New York Times. ^ Bennet, James (April 21, 1992). "Judge to Start Weighing Charges That Owners Were at Fault in Happy Land Fire". New York Times. Retrieved July 21, 2012. ^ "25th anniversary of Happy Land nightclub fire that killed 87". CBS News Crimesider. March 25, 2015. Retrieved December 29, 2017. ^ "Misdemeanors Charged in Happy Land Fire". February 2, 1991. Retrieved July 20, 2012. ^ Hevesi, Dennis (May 9, 1992). "Guilty Plea By Landlord In Fire Case". Retrieved July 21, 2012. ^ Behnken, Brian D. ; Wendt, Simon; Garcia, Doris (2013). "Chapter 7: Transnational Ethnic Identities and Garinagu Political Organizations in the Diaspora by Doris Garcia". Crossing Boundaries Ethnicity, Race, and National Belonging in a Transnational World. Lanham: Lexington Books. ISBN 978-0-739-18131-7. OCLC 852158416. Retrieved October 25, 2015. ^ Gonzalez, Juan (March 24, 1995). "Little Aid Seen In Club Arson". Retrieved July 21, 2012. ^ Lueck, Thomas J. (July 8, 1995). "Slide From Riches for Landlord in Happy Land Case". Retrieved July 21, 2012. ^ Russo, Gina. "A History of Deadly Fires and their Memorials". The Station Fire Memorial Foundation. Archived from the original on February 19, 2015. Retrieved February 18, 2015. ^ " ' Airtight case' against Happy Land arsonist in 1990". March 17, 2015. Retrieved December 6, 2016. ^ "Crotona Parkway Malls". Happy Land Memorial. Retrieved February 18, 2015. ^ Daw, Robbie. "Duran Duran's 'The Wedding Album' Turns 20: Backtracking". Idolator. SpinMedia. Retrieved January 14, 2016. ^ Nicoll, Gregory (December 2, 2000). "Steppin' out again". Creative Loafing. Retrieved July 19, 2016. ^ "Oakland Fire Grim Reminder of Deadly Happy Land Blaze in 1990". NBC New York. December 7, 2016. Retrieved December 7, 2016. External links [ edit] Crime Happy Land fire Photos of the Happy Land Fire Memorial 1990 Happy Land Social Club Fire Coordinates: 40°50′35. 5″N 73°53′9″W / 40. 843194°N 73. 88583°W.
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Nella Golena Dei Morti Without Sign Up Nella Golena Dei Morti Felici What's Watch Nella Golena Dei Morti Online Earnthenecklace…. In her first major leading role, Jessica Rothe has a scene that every actress dreams of—a juicy, dramatic, over-the-top death scene. But she doesn't have just one—no, in Happy Death Day, Rothe dies no less than a dozen times over the course of the hour-and-a-half film. " It was really demanding, but I kind of loved it, " the 30-year-old actress said. Talk about earning your scream queen stripes. In the film, which topped the box office on its first week of release and has now collected nearly $50 million on a reported budget of $4. 8 million, Rothe plays Tree, a classically mean sorority girl who gets murdered on the way to a frat party—only to wake up and relive the day over and over again as she searches for her killer in a sort-of macabre Groundhog's Day scenario. But don't let the seemingly formulaic plot description fool you—in fact, Happy Death Day is anything but formulaic, ultimately playing out to be a totally fun joy-ride filled with laughs, plot twists, and, yes, plenty of scares. Altogether, it's a package that makes an otherwise unassuming horror flick a must-see this Halloween season. "Isn’t it amazing that even though I die fourteen times it is so life-affirming? " said Rothe, who previously was seen as one of Emma Stone's roommates in La La Land and will next be seen in the romantic comedy Forever My Girl. "It makes you want to go into the world and conquer your day. " And it is the actress's irresistible performance as Tree—a role that sees her in every single scene of the film, no less—that truly makes her a breakout, as she effortlessly transitions from a walking stereotype into a complex leading lady that armors the film with a subtle feminist undertone. Here, Rothe talks about the film, and what it means to be a scream queen in 2017. How did you first get involved with the film? I was working on another film, a romantic comedy called Forever My Girl, in Atlanta and I was sent the script. My team called me and said, “This is a horror movie, but we think there is something really unique about the project. ” I started reading the script, and I was captivated right away. The blend of comedy and horror is so brilliant and perfectly balanced…I also really connect with and liked Tree’s progression, and how she starts off as this narcissistic victim and villain, and gets to transform into a total badass heroine, which is a progression that you don’t really see in many movies. You don’t often get to watch your hero be born, especially with women. Had you done any horror projects before? This was my first time. It was a really fun set, and it was exhausting. We shot it in five weeks, which is really fast for any movie, but especially when it is a horror, comedy, coming-of-age, thriller, rom-com. This film hits so many notes, and in order to ensure that we were doing justice to the script, it took a lot of focus and specificity. Christopher Landon, our director, was so brilliant at helping us etch out those moments; I took a lot of notes. Where did you shoot the film? We filmed in New Orleans. I have worked down there before, so I feel like a local. We actually arrived on Halloween last year and [co-star] Israel Broussard and I decided we wanted to go down to Bourbon Street, but we didn’t have costumes so we hodge-podged something together out of our combined luggages. I went as Rosie the Riveter because I had a denim jumpsuit and he went as Man in Poncho, because he had a poncho. It was a really good way to start the movie off. You truly are in every scene, which I imagine must have been extremely demanding. It was really demanding, but I kind of loved it. I’m a total perfectionist, and I had both a lot of control, but had to release a lot of control, because we had so much to get through that if I became obsessed with one specific moment, there was no way we would be able to get through everything we needed to. Did you have any idea that the reaction to the film would be this overwhelmingly positive? I knew I loved it, and I hate watching myself; it makes me so uncomfortable. But I actually really enjoyed watching the movie, which is saying a lot. I hoped it would, only in the sense that it has some really incredible messages, especially for young women. It’s a really fun roller coaster ride of a movie that has something to say, which is so rare. I’m really delighted and humbled that it has found its audience in the way that it has, and so glad that it has resonated with people because that is the reason I wanted to do the project. I saw the potential for saying to young women, “Live your best life, and let this movie make you think about who you want to be and how you want to be considered. ” Tree is also a truly independent character who doesn’t rely on anyone for help. Was that important to you when reading the script? It really was. She really is the only person who can save herself. People have asked me, “What do you have in common with Tree? ” And I think I have that determination, and I will not quit until I figure something out, sometimes to a fault. I love that at the end of the day she has to be her own hero, and has to become that person. That is not who she is initially. It’s not like she rolls out of bed and is some badass right away. She has to learn and grow. One thing I love about this movie is that in any other horror film, Tree would be the girl to die in the first ten minutes and no-one would care. But she is provided with the opportunity to become a better person and learn from her mistakes. She is more of a modern scream queen. She’s not running upstairs and screaming without a bra on. In terms of horror films in general, are you a fan of the genre? I am, but I get so scared. I watch them completely curled up in a fetal position with my hands covering my eyes and my ears, because the score often is the most terrifying part for me. I saw Get Out, and I loved that. I haven’t seen It yet. I haven’t worked up the courage. But I enjoy horror films. There’s something about that rush of adrenaline, especially watching it in a big theater with a lot of people. That communal experience of being terrified is really, really fun. Did you watch any specific performances to help you prepare for this role? Chris and I talked about classic scream queens a lot, and what it means to be a scream queen. There are a lot of nods to Chris’s favorite films within our movie. It was really fun figuring out how to do those moments in a fresh and new way. I loved Jamie Lee Curtis. I think she is brilliant. And I really loved going back and watching Drew Barrymore at the beginning of Scream. There is something so evocative about that kill and the way the poor thing is dragged out to the backyard. I didn’t want to watch too much because fear and horror is such a visceral reaction and it is not pretty. Anytime you try to craft it to be beautiful, it is instantly going to lose some of what makes it so great. So I also tried not to watch myself scream too many times because I didn’t want to become a perfected face. Related: Why Stephen King's It and Horror Movies Will Put a Fright Into the Oscars Favorites This Year Anya Taylor-Joy Is a Real Scaredy-Cat, Especially When It Comes to Revolving Doors.
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